Welcome Guest! YouRememberThat.com is 100% FREE & fast to join! Upload, comment, create your own profile and more!
Check our brand new site TheRetroSite , although YouRememberThat will remain for quite some time we expect this new site to be our new home. Click over and create your account on the new mobile friendly and flexible site today!
Browse MediaAll Media 1930s & Earlier 1940s 1950s 1960s 1970s 1980s 1990s 2000s 2010s Comics On Aging Featured Members Miscellany Multiple Years Trivia Games
FriendsFunny Videos Dummy Solutions The Retro Site Dummy Solutions ResourcefullyForYou CPI Inflation Calculator WLS MUSIC RADIO 89 #1 Song This Week In History Uncle Jay Explains The News Old Time Candy BuckarOOs! Video Downloader - Free OffTopicz View All Friends Submit Link
1930s & Earlier / Kim Novak the Lavender Blonde
Kim Novak was born Marilyn Pauline Novak in Chicago, Illinois. She is perhaps best known for her performance in Alfred Hitchcock's Vertigo (1958). Her films include The French Line (1954) Pushover (1954) Phffft! (1954) Son of Sinbad (1955) 5 Against the House (1955) Picnic (1955) The Man with the Golden Arm (1955) The Eddy Duchin Story (1956) Jeanne Eagels (1957) Pal Joey (1957) Vertigo (1958) Bell, Book and Candle (1958) Middle of the Night (1959) Strangers When We Meet (1960) Pepe (1960) (Cameo) The Notorious Landlady (1962) Boys' Night Out (1962) Showman (1963) (documentary) Of Human Bondage (1964) Kiss Me, Stupid (1964) The Amorous Adventures of Moll Flanders (1965) The Legend of Lylah Clare (1968) The Great Bank Robbery (1969) The White Buffalo (1977) Just a Gigolo (1979) The Mirror Crack'd (1980) I Have Been Very Pleased (1987) (short subject) The Children (1990) Liebestraum (1991) She has always been one of my favorite actresses and I think she's one of the most underrated and overlooked actresses of her generation. Kim Novak was a unique phenomenon. As the last of the "manufactured" screen goddesses and Columbia's answer to Marilyn Monroe, Kim had a more refined sex appeal than the other blond goddesses of the 1950's. She radiated a kind of mystery that harked back to the days of Garbo and Dietrich. Onscreen Kim Novak seems distant, enigmatic, thoughtful and somehow sad. She has been referred to as the reluctant goddess, the melancholy blonde and the lavender blonde. The studio created the idea that lavender was Kim Novak's favorite color as part of her movie star image. However, I think the term Lavender Blonde fits Kim Novak - it sets her apart from the sunny Doris Day or the gilded Marilyn Monroe. Lavender is closer to blue - makes you think of Madeleine in Vertigo, lost in thought by the seashore.